Jul 16
Hello, and welcome to my blog. This is where I’ll share book reviews, my favorite tarot decks, tidbits of tarot history, and some ideas I’m working on that combine tarot and astrology. I’ll also bring you news and reviews about Italian books and websites. Please explore the other pages on this site for in-depth articles on tarot history and tips on reading with historic decks.
Apr 9
Let’s celebrate Etteilla, the eighteenth-century cartomancer who laid the groundwork for our contemporary tarot reading practices. After writing numerous books on divination, seeing clients, running a school, and establishing a tarot society, he found time to design a tarot deck that has been in print, in slightly altered form, for over 200 years. Now for the first time, thanks to Marco Benedetti’s reconstruction, Etteilla’s original tarot deck, as he conceived it, is available to the public. Before taking a close look at Etteilla’s tarot, we’ll review his amazing career.
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Today I’m celebrating the artistry of Giuseppe Maria Mitelli along with Marco Benedetti’s luxurious new edition of Mitelli’s tarocchino. I’ll begin by describing Benedetti’s deck; then, I’ll give some background on Mitelli, his artistic output, and the distinct features of his deck. We’ll conclude by looking at other copies of the deck in various museums. But first, what is a tarocchino and what makes this deck so different from other historic tarot decks?
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I want start 2024 by showing off the happiest tarot decks in my collection. Let’s face it, some of the people in our pre-20th century decks can be rather grumpy, if not downright mean looking. I must have at least 100 facsimiles of historic decks (I haven’t actually counted them), but I could only find a handful of decks where the figures had consistently pleasant faces. The characters in the decks discussed below look friendly and optimistic, and seem to actually enjoy life. I wouldn’t hesitate to start up a conversation with any of them.
If you have a historic facsimile with happy faces, please share it in the comment section below.
My five choices are all 18th-century decks, from five different countries, made by four contemporary card makers. I’ve listed them in the order they were originally published.
Oct 28
Tarot de Marseille Type I is having its moment in the sun, thanks to several card makers who are recreating these rare decks from museum originals. As far as I know, there are only nine complete, or nearly complete, Type I decks in existence. All but two have been meticulously recreated by artisans in limited editions and are available to purchase. Find contact information for these card makers at the bottom of this article.
Read moreOct 24
Announcing the completion of “Journey Through the Trumps,” a section of this website that traces the 600-year history of each trump card. During this three-year adventure with my co-author Iolon, we looked at how the imagery of each card evolved through the centuries, and how these changes influenced the card’s interpretation.
Read moreFor over four centuries, every Italian playing card was handcrafted with rivoltini borders. These are created by gluing backing paper onto the card, folding the four sides over to the front, then gluing the borders down. Now, for the first time in over a century, we can obtain a tarot deck made with this labor-intensive, traditional method.
For this production, Marco Benedetti has reprinted his Dalla Torre Tarocco Bolognese, which was published in 2020. He added hand-crafted rivoltini borders, and packaged the deck in his signature custom-made wooden box. This deck is a partially restored facsimile of a nearly complete 17th-century Tarocchini in the Bibliothèque Nationale Française.
Aug 1
The Gerard Bodet Tarot restored by Sullivan Hismans (Tarot Sheet Revival) may be the oldest complete Rouen-Brussels deck we have. Around the year 1500, tarot migrated from Italy to France and entered a new phase of development. Milanese tarot swept across Europe, becoming the standard gaming deck and evolving into the Tarot de Marseille pattern. An alternate style migrated from Florence and Ferrara, then lurked underground until surfacing in Paris in the mid-seventeenth century as the Jacques Vieville deck, a hybrid of the Tarot de Marseille and Rouen-Brussels patterns. Let’s look at what’s distinctive about this style and where Bodet’s deck fits in with its development. (All cards in this article are Gerard Bodet unless stated otherwise.)
Read moreThis is turning out to be Minchiate Month! Marco Benedetti just published a restored and recolored Fiorentine Minchiate which I reviewed here last week. A few recent videos feature this deck. Links to everything are at the bottom.
What if you want to read with this expanded tarot deck? What resources will help with card interpretations, especially those unfamiliar cards like Charity, Prudence, or the Eastern Emperor? Two books by the late art historian Brian Williams are indispensable for studying the iconography of both Tarot and Minchiate.
Announcing a Fiorentine Minchiate deck produced by Marco Cesare Benedetti of Rome, Italy. The strong lines, rich colors and expressive faces make this limited edition deck very readable. Before I get into specifics of Benedetti’s deck, let’s get clear on what a Minchiate deck is and how it differs from tarot.
Read moreTurning the pages of this book is like wandering the corridors of an enchanted castle where the walls are lined with over-sized images of tarot and fortune-telling cards, art from previous centuries, and the occasional surprise from contemporary popular culture. Barbier’s infectious joy and delight in all things cartomantic shines on every page of this wondrous book with the same energy and creativity she brings to her tarot classes on the Morbid Anatomy platform.
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Tarot Heritage 