The Al Mondo Tarocchino is one of very few Bolognese-style decks to survive from earlier centuries with all cards intact. This deck comes to us from a narrow slice of time—after 1725 when Bolognese decks were required to have four Moors, and before the 1760s when double-headed figures became standard. The British Museum has the only copy of the Al Mondo deck in existence. Marco Cesare Benedetti has obtained the rights to reproduce twenty facsimiles. See deck details and purchasing information at the end.Read more
Posts from the ‘Tarot History’ Category
This beautifully illustrated book delves into a neglected aspect of Tarot history. Historians usually skim over the suit cards (minor arcana) in their rush to the juicier trumps. This book gives the pip cards their due. After all, the four suits comprise 65% of the deck and predate the twenty-two trumps by centuries. Tarot as we know it could not exist without them. Read more
One of the most exciting events in my twenty years of collecting historic decks occurred in 2017 when Sullivan Hismans (Tarot Sheet Revival.com) introduced the Budapest Tarot. He meticulously recreated a very important fifteenth-century deck that only exists in museum collections as partly damaged uncut sheets of cards. This limited edition of 250 decks sold out quickly and has become a favorite reading deck of the lucky few who own one. Hismans just released another edition of 450 Budapest decks with some changes that I’ll illustrate below. But first, I want to put the deck in its historic context. Read more
This phantom of the tarot world is possibly the earliest Tarot de Marseille we know of. The only traces of the Rolichon tarot’s existence are a brief listing in an 1851 French auction catalog, and reproductions of thirty-five cards in the July 1919 edition of the Larousse Mensuel magazine. The deck itself has disappeared, so Benedetti’s careful recreation is a wonderful opportunity to experience this important piece of tarot history. Read more
This beautifully illustrated catalog is a rare opportunity to see cards that have been hidden for centuries, until this exhibit on display from September 2019 to January 2020 at the Castello Ursino, Catania. The text of each chapter is either fully translated or summarized in English. Read more
There’s something compelling about the Rosenwald deck. It’s enough like the Tarot de Marseille to feel comfortable; yet its quirky details give it a slightly exotic tone. For a transcendent experience, hold Benedetti’s gold and silver Rosenwald cards in your hands. Read more
The legendary “da Tortona” deck, grandfather of all tarocchi/tarot decks, is now accessible thanks to a small but incredibly rich book by Ross G. Caldwell and Marco Ponzi; and a recreated deck by Robert Place, The Marziano Tarot.
About 1420, the Duke of Milan, Filippo Maria Visconti, asked his secretary and advisor, commonly known as Marziano da Tortona, to invent a card game. Marziano created the Game of Sixteen Deified Heroes, a deck of cards with four suits numbered ace to ten and an extra suit of illustrated cards – the same format as the game of trionfi/tarocchi/tarot invented about 15 years later. Read more
Just released: The third book in Dorsini’s trilogy about the fifteenth-century Visconti decks.
In the fifteenth century, Italian aristocrats would commission an artist to make a one-of-a-kind tarot deck painted with precious materials on a background of embossed gold leaf. The three most complete decks in existence were commissioned by the Dukes of Milan in mid-century. The Il Meneghello workshop has created facsimiles of all three decks and published three books with historic and artistic background information. Read more
The Dodal/Dodali Tarot, one of the earliest and most historically important Tarot de Marseille (TdM) decks, has been beautifully recreated by Sullivan Hismans at Tarot Sheet Revival, after two years of painstaking craftsmanship. Hismans, who gave us recreations of the Budapest and Rosenwald sheets, is a visual artist fascinated by the physical reality of tarot cards and the craft of card making. His process is the same with all his decks – he examines different versions of the cards available in museum databases, takes the elements apart, then alchemically recombines them to create a transformed, but historically accurate deck. Read more
For the first and last time on this blog I’m reviewing a deck by a DFO (Dead French Occultist). I usually run out of the room when someone starts in about Kabbalistic associations with tarot (it’s a personal hang-up). But I know a gorgeous deck when I see one. Marco Benedetti’s gold foil edition of Wirth’s 1926 deck is pure magic. Read more