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Posts from the ‘Tarot History’ Category

The Tarocchino Bolognese of Giuseppe Mitelli Published by Giordano Berti

The Tarocchino Bolognese engraved by Giuseppe Mitelli is a unique treasure. Just as the Visconti-Sforza deck was a luxury item commissioned by an aristocrat from a prominent artist in Cremona, this exceptionally beautiful deck was commissioned around 1660 by Count Bentivoglio of Bologna from a prolific Bolognese artist. Read more

The Rosenwald Deck

Sullivan Hismans, at Tarot Sheet Revival, has worked tarot magic again by creating an actual deck from sheets of tarot cards printed @1500 and housed in the Rosenwald collection of the National Gallery of Art in Washington D.C. Read more

1760 Nicolas Conver Tarot de Marseille Restored by Yves Reynaud

Yves Reynaud, who has given new life to historically important TdMs like the Burdel, Payen and Madenié, just issued his restoration of the 1760 Conver deck in a limited edition of 1500. A decade ago, the only historically correct version of this deck on the market was a photo-facsimile of a deck housed in the Bibliothèque Nationale in Paris, published by Heron around 1980. Reynaud has based his restoration on this deck. Read more

From My Bookshelf: Sigismondo Malatesta and the Italian Renaissance

Sigismondo Malatesta, bad boy of the Renaissance, gave us our first documented evidence for tarot. Researcher Franco Pratesi discovered a note in a Florentine account book dated September 16, 1440 saying a deck of naibi a trionfi had been sent to Malatesta that was beautiful, expensive and decorated with his arms. In 1452 he surfaced again in connection with tarot. Bianca, the Duchess of Milan, sent a note to her husband Francesco saying Malatesta was asking for the trionfi cards that were made in Cremona. Read more

Tarotforum RIP

Waves of shock and grief are rolling through a large segment of the tarot community in reaction to the announcement that www.tarotforum.net will be shut down as of July 14, 2017.  Since 2002, Tarotforum has been one of the largest and best-moderated communities on the internet. When Tarot_L on Yahoo shut down over a decade ago, Tarotforum became my go-to place for tarot history. I’m greatly relieved to learn that the forum will still exist in read-only form, so we won’t be losing its huge storehouse of information. Read more

From My Bookshelf: Mesmerism and the End of the Enlightenment in France

Are you ready for immersion in the electrifying atmosphere of pre-revolutionary Paris? Etteilla, Cagliostro and de Gebelin flourished in this era of scientific marvels, crackpot inventions and magnetic healing. Pseudo-science, alchemy, astrology, and fantasies of the Golden Age swirled about uncritically in the public mind. In this atmosphere, stories of golden tablets under the pyramids inscribed with ancient wisdom didn’t seem the least bit implausible. Read more

From My Bookshelf: Courts and Courtly Arts in Renaissance Italy

If you want to immerse yourself in the world that gave us the Visconti-Sforza and Sola Busca decks, this book, subtitled Arts, Culture and Politics 1395 to 1530, will deliver.

Nothing was ever the same in Italian politics and society after Gian Galeazzo Visconti purchased the title of Duke from the Holy Roman Emperor in 1395. Other rulers soon followed suit: the Gonzaga of Mantua, Montefeltro of Urbino, d’Este of Ferrara and the rulers of Savoy.

Unlike a French or German aristocrat who could trace his pedigree back to Charlemagne, a newly-minted Italian duke did not have a divine right to rule. These parvenus were acutely aware of their modest origins as merchants or condottieri who had usurped civic power. They felt tremendous pressure to over-compensate by amassing a trophy art collection and building ostentatious palaces that were stage settings for elaborate ceremonies and festivals. Read more

A Fifteenth Century Flemish Hunting Deck

While 15th-century Italian aristocrats were commissioning gilded and hand-painted tarot cards, aristocrats further north were doing the same with regular playing cards. The Metropolitan Museum of Art in New York City is offering a facsimile of the only complete playing card deck from the 15th century in existence. This deck is unique for several reasons: it’s Burgundian, it’s the oldest known deck of its type, and it’s oval-shaped. Read more

Tarocchi Fine dalla Torre

The Museo dei Tarocchi near Bologna, Italy has given us many highly creative art decks. Now they have produced an historically significant bolognese tarocchi based on an original that rests in the Bibliothèque Nationale in Paris.

Bologna has its own unique tarot tradition that dates back to the early sixteenth century, and possibly earlier. The order of the trumps is slightly different, and pips two through five of each suit have been removed to make a shortened deck that was very popular for card games back then. Some trump cards have distinct imagery: the Fool as a street musician playing a drum and horn, the Three Magi on the Star card, and a woman with a spindle for the Sun are just a few examples. The Aces are very distinctive as well. In the early 18th century the deck took its present form when the Empress, Emperor, Papesse and Pope were changed into the four Moors and the trump and court cards became double-headed. Read more

Tarot History Rant #5: Etteilla the hairdresser

At least three times in the past few weeks I’ve heard people refer to “the hairdresser Etteilla,” mindlessly repeating disinformation that Eliphas Levi and A. E. Waite rather viciously spread about the founder of modern tarot. Etteilla-bashing hit its stride in the mid-19th century when Eliphas Levi published statements like:

Etteilla or Alliette, an illumine hairdresser, exclusively engrossed by his divinatory system, and the emolument he could derive from it, neither proficient in his own language nor even in orthography, pretended to reform, and thus attribute to himself the Book of Thoth.

This illuminated hairdresser, after working for thirty years, only succeeded in producing a bastard set, the Keys of which are transposed, so that the numbers no longer answer to the signs.

The writings of Etteilla, now very rare, are obscure, wearisome and barbarous in style.

Generations of authors have mindlessly parroted Levi without bothering to learn about the man behind the slander. Read more