Christiana Gaudet is my kind of tarot reader: concise, no-nonsense and practical. She gets right to the point without stalling for time; and knows immediately what aspect of a card to highlight. Her decades of full-time reading shines through her technique. She intuitively knows what the client needs: practical advice, compassion, reassurance, a kick in the pants – she can deliver any of that with any card. I’ve given an exercise below that will help you read just as fluently and quickly. Read more
Posts from the ‘Tarot’ Category
Just released: The third book in Dorsini’s trilogy about the fifteenth-century Visconti decks.
In the fifteenth century, Italian aristocrats would commission an artist to make a one-of-a-kind tarot deck painted with precious materials on a background of embossed gold leaf. The three most complete decks in existence were commissioned by the Dukes of Milan in mid-century. The Il Meneghello workshop has created facsimiles of all three decks and published three books with historic and artistic background information. Read more
The Dodal/Dodali Tarot, one of the earliest and most historically important Tarot de Marseille (TdM) decks, has been beautifully recreated by Sullivan Hismans at Tarot Sheet Revival, after two years of painstaking craftsmanship. Hismans, who gave us recreations of the Budapest and Rosenwald sheets, is a visual artist fascinated by the physical reality of tarot cards and the craft of card making. His process is the same with all his decks – he examines different versions of the cards available in museum databases, takes the elements apart, then alchemically recombines them to create a transformed, but historically accurate deck. Read more
Acquiring this hard-to-find deck inspired me to get acquainted with Valentina Visconti and learn about the chapter of her life depicted in these cards.
In 1389, Valentina set out in a magnificent procession from Milan to France to meet her husband Louis, Duke of Orléans, brother of the mad king of France, Charles VI. They had been married in a proxy ceremony two years before, but meeting in person was delayed while Valentina’s father, the Duke of Milan, scraped together her extremely expensive dowry. The procession stopped in the town of Asti to spend five days enjoying the Palio (horse races). Read more
My 1983 Vandenborre deck by Carta Mundi has been sitting unused on a shelf for a few decades. After falling in love with Pablo Robledo’s recent production of the deck, and discovering a third version on the market at the GameofHope website, I went on a buying spree then sat down to compare the decks. All three decks faithfully recreate the lines on the original cards, but none is a photo facsimile. The stains and tax stamps have been eliminated, making each deck pristine. (There’s a link at the bottom where you can see the original cards in the British Museum.) Here’s a run-down of how the decks compare. Read more
I am very excited about this fresh new version of the 1762 Vandenborre deck published this month by the Argentinian tarot maker Pablo Robledo.
This Brussels-Rouen pattern deck is first cousin to the Tarot de Marseille. Some of its unique imagery may stem from a lost tradition that migrated from Ferrara to France and Belgium. Its most notable feature is the substitution of the Spanish Captain and Bacchus for the Papesse and Pope. Read a lot more information about this deck and the Captain in another blog article here. Read more
Another beautiful edition of The Cartomancer just arrived in my mailbox. With a new owner, Arwen Lynch, the magazine has become even more eclectic. This issue contains thoughts on shadow work with tarot, plus articles on divination with tea leaves, Lenormand decks and playing cards. I was very happy to see several pages of tarot art in rich colors on a black background — a tradition in each issue. Read more