Things have certainly changed since I began reading with the TdM around the turn of the millennium. Back then there were no books in English on the subject; so I spent a fortune on shipping for a small collection of books in French. Since then there have been almost no other basic TdM books in English. I recently found three books that show the tide is turning. Read more
Posts from the ‘Tarot’ Category
This magazine just keeps getting better. The latest issue has several articles that especially intrigued me.
In the Tarot Art section, Monica Bodirsky’s Lucky Lenormand deck caught my eye. Its swirling, free form watercolor background appeals to me since I adore abstract art. Bodirsky appears twice more. Bonnie Cehovet reviewed her deck, then Bodirsky contributed an article on cartomancy, the proliferation of Lenormand decks, and the role imagery plays in a reading. Read more
At least three times in the past few weeks I’ve heard people refer to “the hairdresser Etteilla,” mindlessly repeating disinformation that Eliphas Levi and A. E. Waite rather viciously spread about the founder of modern tarot. Etteilla-bashing hit its stride in the mid-19th century when Eliphas Levi published statements like:
Etteilla or Alliette, an illumine hairdresser, exclusively engrossed by his divinatory system, and the emolument he could derive from it, neither proficient in his own language nor even in orthography, pretended to reform, and thus attribute to himself the Book of Thoth.
This illuminated hairdresser, after working for thirty years, only succeeded in producing a bastard set, the Keys of which are transposed, so that the numbers no longer answer to the signs.
The writings of Etteilla, now very rare, are obscure, wearisome and barbarous in style.
Generations of authors have mindlessly parroted Levi without bothering to learn about the man behind the slander. Read more
The August 2016 edition of The Cartomancer contains two weighty, serialized articles, as well as the usual gorgeous artwork and an intriguing range of topics. The article that anchors this edition for me is Marseille Tarot: A Phylosophical Enquiry by three Brazilian tarotists. In this article, the first of two, the authors describe various philosophical approaches to tarot study. Quite frankly, I had a hard time sorting it out; but here’s how I disentangled the threads into four main approaches to tarot: Read more
U.S. Games Systems has just reissued their facsimile of the Pierpont Morgan Bergamo Visconti Sforza Tarocchi, originally produced in 1975 and still in print. They’ve added bonus cards with portraits of the Duke and Duchess of Milan, probably by Bonifacio Bembo, who most likely created the original deck in the 1450s. Both editions are the same size as the original cards: 3.5 x 7.0 inches. Let’s compare the two decks. Read more
The Museo dei Tarocchi’s new online bookstore makes it very easy to order their books and decks using Paypal. I celebrated their grand re-opening a few months ago with my usual lack of self-restraint and ordered a pile of books and one very interesting deck. Ordering was a breeze, and it took less than three weeks for my loot to make its way from Italy to California. Read more
Lately I’ve been doing readings with just two cards. I don’t read the cards one-two, past-present, cause-effect. I read the space between them: the field of energy, the tension, the interaction. I ask what must happen for one card to turn into the other, or for one card to reach out to the other and transform it?
A few weeks ago I asked Lo Scarabeo’s Ancient Italian deck what I can do to kick off a summer of creative and artistic experimentation. I got the Star and Nine of Cups: waters of heavenly inspiration cascading through the levels of cups. But the Nine of Cups has a sterile, conformist feel, like rows of soldiers or synchronized dancers. Something stale and dry is being watered. The cards resemble the fountain in my living room where water cascades down several vertical levels of copper flowers. Read more
Giordano Berti, who brought us the historically important Vergnano and Sola Busca decks, has done it again, producing a small print run of a virtually unknown deck. The Tarocchi Perrin, originally printed in Turin, is a delightfully unique deck that’s heavily influenced by Dellarocca’s soprafino design. Read more