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Posts from the ‘Tarot Decks’ Category

The Two Madenié Decks

If you bought the first edition of the Pierre Madenié deck produced by Yves Reynaud in 2013, do you need to get the second edition as well? Yes, you probably do.

Even though it’s my number one reading deck, I initially felt a second copy was an unnecessary indulgence. Besides, I was afraid the newer, cleaned-up version might be too pristine. I prefer historical facsimiles that preserve the original intact; so I shudder at the thought of someone touching up historic cards to conform to their arbitrary criteria of perfection. But a fellow collector convinced me the second edition was even more beautiful than the first, so I succumbed to temptation. I’m very glad I did. Read more

Tarocchi Visconti Sforza by Il Meneghello

I already have three full-sized facsimiles of the Visconti-Sforza deck. So when I came across yet another version, published by Il Meneghello in 1996, I wrestled with temptation for a couple of weeks before succumbing. I’m very glad temptation won out because this deck is the best of the lot.

I compared this deck with my other three: Dal Negro, USGames 1984 and USGames 2015 (with portraits of Francesco and Bianca Sforza on extra cards). Read more

The Cartomancer December 2016 Issue

This magazine just keeps getting better. The latest issue has several articles that especially intrigued me.

In the Tarot Art section, Monica Bodirsky’s Lucky Lenormand deck caught my eye. Its swirling, free form watercolor background appeals to me since I adore abstract art. Bodirsky appears twice more. Bonnie Cehovet reviewed her deck, then Bodirsky contributed an article on cartomancy, the proliferation of Lenormand decks, and the role imagery plays in a reading. Read more

Besançon Decks

As far as I know, there are only a few Besançon-style decks on the market. I’ll start my survey with the most affordable and accessible deck, a re-creation by Evalyne Hall. While translating the writings of Antoine Court de Gebelin and the Comte de Mellet (18th century French authors who were the first to link Tarot and Kaballah), she realized de Mellet used a Besançon deck. Since she didn’t have access to this type of deck, she created her own by lovingly re-drawing historic cards that reside in Paris in the Bibliothèque Nationale. Read more

Zoni Tarot de Marseille: Big and Small

I’ve just acquired the tiniest deck in my historical facsimile collection — a miniature version (1-1/8 x 2-¼ inches) of Il Meneghello’s reproduction of a TdM printed in Bologna in 1780 by Giacomo Zoni. Lo Scarabeo also publishes a facsimile. Shown above is a mini card superimposed on the Lo Scarabeo, which is a bit larger than Il Meneghello’s full-size version. Read more

A Fifteenth Century Flemish Hunting Deck

While 15th-century Italian aristocrats were commissioning gilded and hand-painted tarot cards, aristocrats further north were doing the same with regular playing cards. The Metropolitan Museum of Art in New York City is offering a facsimile of the only complete playing card deck from the 15th century in existence. This deck is unique for several reasons: it’s Burgundian, it’s the oldest known deck of its type, and it’s oval-shaped. Read more

Tarocchi Orientali Foudraz

A collector recently discovered a trove of uncut sheets of tarot and playing cards that have been sitting in Turin’s archives of since the mid-19th century. Giordano Berti has given new life to one of these forgotten decks by transforming the black and white uncut sheets into the beautifully colored Tarocchi Orientali.

The deck was created by Claudio Foudraz, a lithographer working in Turin in the mid-19th century. As an all-purpose lithographer he printed business cards, invitations, ads and art prints. Foudraz’s tarot deck was useless for game playing because of mistakes in the numbering, which the current edition corrects, so it probably never reached the market. Read more

Tarocchi Fine dalla Torre

The Museo dei Tarocchi near Bologna, Italy has given us many highly creative art decks. Now they have produced an historically significant bolognese tarocchi based on an original that rests in the Bibliothèque Nationale in Paris.

Bologna has its own unique tarot tradition that dates back to the early sixteenth century, and possibly earlier. The order of the trumps is slightly different, and pips two through five of each suit have been removed to make a shortened deck that was very popular for card games back then. Some trump cards have distinct imagery: the Fool as a street musician playing a drum and horn, the Three Magi on the Star card, and a woman with a spindle for the Sun are just a few examples. The Aces are very distinctive as well. In the early 18th century the deck took its present form when the Empress, Emperor, Papesse and Pope were changed into the four Moors and the trump and court cards became double-headed. Read more

The Cartomancer Magazine Summer 2016

The August 2016 edition of The Cartomancer contains two weighty, serialized articles, as well as the usual gorgeous artwork and an intriguing range of topics. The article that anchors this edition for me is Marseille Tarot: A Phylosophical Enquiry by three Brazilian tarotists. In this article, the first of two, the authors describe various philosophical approaches to tarot study. Quite frankly, I had a hard time sorting it out; but here’s how I disentangled the threads into four main approaches to tarot: Read more

The Visconti Sforza Tarocchi by U. S. Games

U.S. Games Systems has just reissued their facsimile of the Pierpont Morgan Bergamo Visconti Sforza Tarocchi, originally produced in 1975 and still in print. They’ve added bonus cards with portraits of the Duke and Duchess of Milan, probably by Bonifacio Bembo, who most likely created the original deck in the 1450s. Both editions are the same size as the original cards: 3.5 x 7.0 inches. Let’s compare the two decks. Read more