Just released: The third book in Dorsini’s trilogy about the fifteenth-century Visconti decks.
In the fifteenth century, Italian aristocrats would commission an artist to make a one-of-a-kind tarot deck painted with precious materials on a background of embossed gold leaf. The three most complete decks in existence were commissioned by the Dukes of Milan in mid-century. The Il Meneghello workshop has created facsimiles of all three decks and published three books with historic and artistic background information. Read more
Nearly two decades ago, Il Meneghello of Milan gave us the best facsimile available of the 1450 Visconti-Sforza deck. Now they’ve outdone themselves by producing facsimiles of the two earliest trionfi/tarocchi decks we know of — luxurious gold-covered cards created for the Duke of Milan in the early 1440s. Il Meneghello printed the Visconti di Modrone deck in 2015 and 2017, and released a book in 2018. The Brera-Brambilla deck was published in the summer of 2018 with its accompanying book available in September. Read more
This book is destined to become a classic, along with books on the same topic by the likes of Jodorowsky and Ben Dov (to whom the book is dedicated). Three kinds of people need this book:
- People who are curious about reading with the Tarot de Marseille (TdM) or other historic decks, but are put off by the thought of reading cards that don’t have fully illustrated scenes.
- People who dove into intuitive reading feet-first and now feel the need for grounding in systematic study.
- People like me who have been immersed in historic decks for years and think they know just about everything. The book gives lots of new techniques to try as well as fresh insights into the cards.
Another beautiful edition of The Cartomancer just arrived in my mailbox. With a new owner, Arwen Lynch, the magazine has become even more eclectic. This issue contains thoughts on shadow work with tarot, plus articles on divination with tea leaves, Lenormand decks and playing cards. I was very happy to see several pages of tarot art in rich colors on a black background — a tradition in each issue. Read more
Around the year 1565, two men on opposite sides of northern Italy wrote down their thoughts about the moral lessons in the tarocchi deck. In the 1980s, both essays were discovered by playing card researcher Franco Pratesi, and were recently published in Italian and English as Con gli occhi et con l’intelletto: Explaining the Tarot in Sixteenth Century Italy. Generous footnotes and introductory material by Ross Sinclair Caldwell, Thierry Depaulis and Marco Ponzi put the essays in their historical context. This extremely important book shows us how a typical, well-educated Christian of the time would have seen the cards, without the distractions of occultism and Egyptomania that came a few centuries later. Read more
Once there was a time when lovers of tarot seeking to look at beautiful cards had to (gasp!!) purchase a book! In that long-ago time (say, 1976) there was no Google, no wikis, no surfing nor clicking. To indulge your tarot obsession, you hopped in your Ford Pinto and drove to a local bookstore where these beautifully illustrated volumes nestled on a shelf.
The three books described here are all over-sized, hardbound, beautifully illustrated, focused on the Tarot de Marseille, and published between 1973 and 1986. They’re easy to obtain for about $5.00 at online used booksellers. Yes, you can see many more decks online, but there’s something magical about holding a large book in your hands and looking at a curated selection of cards. Read more
Hop on a magic carpet and let Jean Huets fly you back to 1447, when a war between Milan and Venice had northern Italy in turmoil, the Sforzas were still a few years away from ruling Milan, and tarot was a novelty.
With this latest issue The Cartomancer is transitioning to its new owner/editor Arwen Lynch-Poe. I’m very happy to see that the magazine is just as beautiful as ever, stuffed full with tarot art printed in luscious colors. The articles are on a wide range of topics, so there’s something for everyone. Here are a few of my favorites: Read more
Things have certainly changed since I began reading with the TdM around the turn of the millennium. Back then there were no books in English on the subject; so I spent a fortune on shipping for a small collection of books in French. Since then there have been almost no other basic TdM books in English. I recently found three books that show the tide is turning. Read more
This magazine just keeps getting better. The latest issue has several articles that especially intrigued me.
In the Tarot Art section, Monica Bodirsky’s Lucky Lenormand deck caught my eye. Its swirling, free form watercolor background appeals to me since I adore abstract art. Bodirsky appears twice more. Bonnie Cehovet reviewed her deck, then Bodirsky contributed an article on cartomancy, the proliferation of Lenormand decks, and the role imagery plays in a reading. Read more