This deck is an 18th-century Tarot de Marseille redrawn with a contemporary folk art flavor. The lacy vegetation on the pips and the bright pastel colors like aqua, violet and peach give the deck a fresh, airy feel without being cloying or cute. Read more
Posts from the ‘Tarot’ Category
Once there was a time when lovers of tarot seeking to look at beautiful cards had to (gasp!!) purchase a book! In that long-ago time (say, 1976) there was no Google, no wikis, no surfing nor clicking. To indulge your tarot obsession, you hopped in your Ford Pinto and drove to a local bookstore where these beautifully illustrated volumes nestled on a shelf.
The three books described here are all over-sized, hardbound, beautifully illustrated, focused on the Tarot de Marseille, and published between 1973 and 1986. They’re easy to obtain for about $5.00 at online used booksellers. Yes, you can see many more decks online, but there’s something magical about holding a large book in your hands and looking at a curated selection of cards. Read more
Hop on a magic carpet and let Jean Huets fly you back to 1447, when a war between Milan and Venice had northern Italy in turmoil, the Sforzas were still a few years away from ruling Milan, and tarot was a novelty.
The Tarocchino Bolognese engraved by Giuseppe Mitelli is a unique treasure. Just as the Visconti-Sforza deck was a luxury item commissioned by an aristocrat from a prominent artist in Cremona, this exceptionally beautiful deck was commissioned around 1660 by Count Bentivoglio of Bologna from a prolific Bolognese artist. Read more
Sigismondo Malatesta, bad boy of the Renaissance, gave us our first documented evidence for tarot. Researcher Franco Pratesi discovered a note in a Florentine account book dated September 16, 1440 saying a deck of naibi a trionfi had been sent to Malatesta that was beautiful, expensive and decorated with his arms. In 1452 he surfaced again in connection with tarot. Bianca, the Duchess of Milan, sent a note to her husband Francesco saying Malatesta was asking for the trionfi cards that were made in Cremona. Read more
Waves of shock and grief are rolling through a large segment of the tarot community in reaction to the announcement that www.tarotforum.net will be shut down as of July 14, 2017. Since 2002, Tarotforum has been one of the largest and best-moderated communities on the internet. When Tarot_L on Yahoo shut down over a decade ago, Tarotforum became my go-to place for tarot history. I’m greatly relieved to learn that the forum will still exist in read-only form, so we won’t be losing its huge storehouse of information. Read more
Things have certainly changed since I began reading with the TdM around the turn of the millennium. Back then there were no books in English on the subject; so I spent a fortune on shipping for a small collection of books in French. Since then there have been almost no other basic TdM books in English. I recently found three books that show the tide is turning. Read more
This magazine just keeps getting better. The latest issue has several articles that especially intrigued me.
In the Tarot Art section, Monica Bodirsky’s Lucky Lenormand deck caught my eye. Its swirling, free form watercolor background appeals to me since I adore abstract art. Bodirsky appears twice more. Bonnie Cehovet reviewed her deck, then Bodirsky contributed an article on cartomancy, the proliferation of Lenormand decks, and the role imagery plays in a reading. Read more
At least three times in the past few weeks I’ve heard people refer to “the hairdresser Etteilla,” mindlessly repeating disinformation that Eliphas Levi and A. E. Waite rather viciously spread about the founder of modern tarot. Etteilla-bashing hit its stride in the mid-19th century when Eliphas Levi published statements like:
Etteilla or Alliette, an illumine hairdresser, exclusively engrossed by his divinatory system, and the emolument he could derive from it, neither proficient in his own language nor even in orthography, pretended to reform, and thus attribute to himself the Book of Thoth.
This illuminated hairdresser, after working for thirty years, only succeeded in producing a bastard set, the Keys of which are transposed, so that the numbers no longer answer to the signs.
The writings of Etteilla, now very rare, are obscure, wearisome and barbarous in style.
Generations of authors have mindlessly parroted Levi without bothering to learn about the man behind the slander. Read more