Just released: The third book in Dorsini’s trilogy about the fifteenth-century Visconti decks.
In the fifteenth century, Italian aristocrats would commission an artist to make a one-of-a-kind tarot deck painted with precious materials on a background of embossed gold leaf. The three most complete decks in existence were commissioned by the Dukes of Milan in mid-century. The Il Meneghello workshop has created facsimiles of all three decks and published three books with historic and artistic background information. Read more
The Sola Busca Tarocchi was created about 1490 in Northern Italy, and is named for the family who owned the deck until 2009, when they sold it to the Italian government and it was placed in the Pinacoteca di Brera in Milan.
There are two theories about the deck’s creator: either he was an artist named Nicola who had connections to Florence and Ancona; or he was an unknown Ferrarese artist living in Venice; or perhaps it was printed in Ferrara and colored in Venice. We don’t know if the artist created the deck himself, or if it was a commission. A small number of decks were printed from the plates, and a handful of unpainted examples from four different decks are scattered about in museums and private collections. The 78-card Sola Busca in the Pinacoteca di Brera, which was painted a decade or so after it was printed, is the deck that Mayer and Il Meneghello used as the basis for their recent facsimile publications. Read more