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Posts tagged ‘Edoardo Dotti’

Soprafino: Nineteenth-Century Tarot in Milan

One of the most beautiful examples of Milanese tarot landed on my doorstep a few weeks ago. Originally printed by Bordoni of Milan in 1885, it’s been reproduced by Marco Benedetti with his signature bordi rivoltinati (paper borders folded over from the back). This gorgeous deck (example on the left) led me down a rabbit hole where I pulled out all twenty of the Milanese decks in my collection and sorted through the different varieties. From the 1830s to 1890s, this distinctive tarot, with graceful lines and luscious colors, was the trademark deck of Milan and surrounding territories. It began with the Soprafino tarot printed by Ferdinand Gumppenberg about 1830 from copper plates engraved by Carlo Dellarocca. Let’s look at the origins and the evolution of this style, how it differs from the Tarot de Marseille, and the decks that are available for purchase at this time.

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Edoardo Dotti Tarot Published by Giordano Berti

Attention, lovers of the Soprafino tarot. This elegant deck published by Giordano Berti is an essential. I’m completely enchanted by the graceful lines, rich colors, and smooth, sturdy cardstock. The original size (2.0 x 4.25 inches) makes the cards easy to handle.

The Soprafino pattern emerged when the Milanese printer Gumppenberg published a deck engraved by Carlo Della Rocca about 1835.  When Gumppenberg died, his employee, Teodoro Dotti, set up his own print shop and issued decks in the style of his former employer, including this Soprafino variant. Seventeen years later, Teodoro’s son Edoardo printed the same deck using his father’s plates, with modifications to make the images politically correct. Notice the Empress’s empty shield in the photo above. By this time, the Hapsburgs were out and Napoleon III was in as ruler of Italy; so the imperial eagle had to be removed from all playing cards.

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