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Posts tagged ‘Tarot in Bologna’

I Tarocchi del Mitelli by Marco Benedetti

Mitelli Tarocchi

Today I’m celebrating the artistry of Giuseppe Maria Mitelli along with Marco Benedetti’s luxurious new edition of Mitelli’s tarocchino. I’ll begin by describing Benedetti’s deck; then, I’ll give some background on Mitelli, his artistic output, and the distinct features of his deck. We’ll conclude by looking at other copies of the deck in various museums. But first, what is a tarocchino and what makes this deck so different from other historic tarot decks?

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Tarocco Bolognese Al Mondo

The Al Mondo Tarocchino is one of very few Bolognese-style decks to survive from earlier centuries with all cards intact. This deck comes to us from a narrow slice of time—after 1725 when Bolognese decks were required to have four Moors, and before the 1760s when double-headed figures became standard. The British Museum has the only copy of the Al Mondo deck in existence. Marco Cesare Benedetti has obtained the rights to reproduce twenty facsimiles. See deck details and purchasing information at the end.

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The Tarocchino Bolognese of Giuseppe Mitelli Published by Giordano Berti

The Tarocchino Bolognese engraved by Giuseppe Mitelli is a unique treasure. Just as the Visconti-Sforza deck was a luxury item commissioned by an aristocrat from a prominent artist in Cremona, this exceptionally beautiful deck was commissioned around 1660 by Count Bentivoglio of Bologna from a prolific Bolognese artist. Read more

The Early Tarot Research of Franco Pratesi

The Italian researcher Franco Pratesi spent decades combing through archives in Florence and Bologna, uncovering the earliest references to playing cards and trionfi decks. His research is available in a compendium of more than thirty-five articles posted on Trionfi.com. Having all of his research compiled in one place, in English, is an incredible resource for anyone interested in tarot’s fifteenth century origins.

(Note: the terms tarot and tarocchi were not used in the 15th century. The game was called Trionfi or Triunfi, and the deck “carte da trionfi”.)

Pratesi is best known for discovering a single sheet of paper dating from before 1750 that gives divinatory keywords for 35 cards from a Bolognese deck. This discovery shows that divination with tarot developed in Italy early and probably independently of the French tradition. In the article “Tarot in Bologna: Documents from the University Library”, Pratesi supplies background on Bologna’s ancient tarot tradition and its 62-card Tarocchini Bolognese. He cites other documents he found in the archives like a political sonnet that uses the names of the trump cards in order; and some examples of tarocchi appropriati where trump cards are assigned to people. Read more