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Posts from the ‘Tarot’ Category

Vachier: The Oldest Documented Tarot de Marseille

A flurry of excitement rippled through the tarot world in early 2023 when a previously unknown Tarot de Marseille, dated 1639, was auctioned in Paris. This very special deck is the earliest documented TdM we know of, and is in nearly pristine condition.

When it sold for a very large sum, I lamented that it would probably disappear into the vault of a private collector, not to be seen again in my lifetime. Happily, I was very wrong. It was purchased by card maker Yves Reynaud of Marseille, who has given the world many facsimiles of rare TdMs. Recently, he published a lightly touched up version of the Vachier deck, which is now available to purchase.

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The Happiest Tarot Decks

I want start 2024 by showing off the happiest tarot decks in my collection. Let’s face it, some of the people in our pre-20th century decks can be rather grumpy, if not downright mean looking. I must have at least 100 facsimiles of historic decks (I haven’t actually counted them), but I could only find a handful of decks where the figures had consistently pleasant faces. The characters in the decks discussed below look friendly and optimistic, and seem to actually enjoy life. I wouldn’t hesitate to start up a conversation with any of them.

If you have a historic facsimile with happy faces, please share it in the comment section below.

My five choices are all 18th-century decks, from five different countries, made by four contemporary card makers. I’ve listed them in the order they were originally published.

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Gerard Bodet Tarot Restored by Sullivan Hismans

Devil card Gerard Bodet Tarot

The Gerard Bodet Tarot restored by Sullivan Hismans (Tarot Sheet Revival) may be the oldest complete Rouen-Brussels deck we have. Around the year 1500, tarot migrated from Italy to France and entered a new phase of development. Milanese tarot swept across Europe, becoming the standard gaming deck and evolving into the Tarot de Marseille pattern. An alternate style migrated from Florence and Ferrara, then lurked underground until surfacing in Paris in the mid-seventeenth century as the Jacques Vieville deck, a hybrid of the Tarot de Marseille and Rouen-Brussels patterns. Let’s look at what’s distinctive about this style and where Bodet’s deck fits in with its development. (All cards in this article are Gerard Bodet unless stated otherwise.)

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A Fiorentine Minchiate Restored by Marco Benedetti

Announcing a Fiorentine Minchiate deck produced by Marco Cesare Benedetti of Rome, Italy. The strong lines, rich colors and expressive faces make this limited edition deck very readable. Before I get into specifics of Benedetti’s deck, let’s get clear on what a Minchiate deck is and how it differs from tarot.

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Tarot and Divination Cards: A Visual Archive by Laetitia Barbier

Turning the pages of this book is like wandering the corridors of an enchanted castle where the walls are lined with over-sized images of tarot and fortune-telling cards, art from previous centuries, and the occasional surprise from contemporary popular culture. Barbier’s infectious joy and delight in all things cartomantic shines on every page of this wondrous book with the same energy and creativity she brings to her tarot classes on the Morbid Anatomy platform.

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Gold Foil Visconti-Sforza Deck by Lo Scarabeo

Lo Scarabeo Visconti-Sforza deck box

One of my favorite Visconti-Sforza decks has just been re-issued — seventy-eight cards in sparkling gold foil published by Lo Scarabeo. Unfortunately the gold doesn’t scan well; but trust me, it’s dazzling. I had to photograph the box at an odd angle to see the light reflecting off the gold. This deck is one of the first historic reproductions I ever purchased nearly twenty years ago. I read with it often, so I’m very happy to have a back-up deck in case I lose a card.  But there is one very big let-down that would otherwise be a deal killer for me. Here’s a comparison of the two editions.

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Marco Benedetti’s Personal Visconti

Box Cover Benedetti Personal Visconti

The Visconti-Sforza deck is a hybrid mash-up of sixty-eight original cards painted by Bonifacio Bembo about 1450, six cards that were created by a different artist around 1475, and four cards that are still missing and have to be recreated by a contemporary artist whenever the deck is republished. Marco Benedetti has never been happy with the ten replacement cards, and dreamt for years of creating his own version of these cards that would enhance the deck rather than detract from it. This deck brings his personal vision into fruition. By drawing on other works by Bembo for most of the replacement cards, he has revived the deck’s original spirit.

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Edoardo Dotti Tarot Published by Giordano Berti

Attention, lovers of the Soprafino tarot. This elegant deck published by Giordano Berti is an essential. I’m completely enchanted by the graceful lines, rich colors, and smooth, sturdy cardstock. The original size (2.0 x 4.25 inches) makes the cards easy to handle.

The Soprafino pattern emerged when the Milanese printer Gumppenberg published a deck engraved by Carlo Della Rocca about 1835.  When Gumppenberg died, his employee, Teodoro Dotti, set up his own print shop and issued decks in the style of his former employer, including this Soprafino variant. Seventeen years later, Teodoro’s son Edoardo printed the same deck using his father’s plates, with modifications to make the images politically correct. Notice the Empress’s empty shield in the photo above. By this time, the Hapsburgs were out and Napoleon III was in as ruler of Italy; so the imperial eagle had to be removed from all playing cards.

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Tarot Marco Benedetti: Visconti Homage Deck

Twenty-five years ago, Marco Benedetti painted a heavenly homage to the Visconti-Sforza deck in tempera on gold leaf. A few years ago, he offered his deck to the public on Gamecrafter, and as a custom printed gold-leaf deck. To celebrate the 25th anniversary of his original deck, he is offering both the original deck and an updated 25th anniversary edition on Gamecrafter and as a custom printed gold deck. Both Gamecraafter decks come with additional cards, so you really get two decks in one. There are several options for customizing the gold deck., which I discuss toward the bottom. First, let’s compare the two Gamecrafter versions.

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The Fifteenth-Century Charles VI Deck Recreated by Marco Benedetti

In fifteenth-century Italy, wealthy aristocrats indulged themselves with luxurious, hand painted, gold-embossed Trionfi decks. The decks came in two distinct families: those commissioned by the Visconti and Sforza Dukes of Milan in the International Gothic style; and Renaissance-style decks created most likely in either Ferrara or Florence. The so-called Charles VI deck, with 16 trump cards, is the most complete deck of the Florentine pattern. Other decks of this type have only a handful of trump cards. Benedetti compiled a complete 78-card deck by cobbling together all the existing cards in the Florentine style. A few absent cards had to be recreated, while several cards exist as duplicates. Benedetti includes the duplicate trump cards with his recreated deck, for a total of 90 cards.

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