I discovered this spread in a booklet by Giulia Orsini included in the Lando Tarocchi produced by Giordano Berti. It works best for providing an overview of a situation and for advice on how to get the outcome you want. I don’t often use spreads, but I was attracted to this one because it has features I like: The trumps are separated from the suit cards; only one suit is used – whichever fits the question best; and it resembles the Tirage à Croix (fancy name for the Cross Spread). Read more
Posts tagged ‘Giordano Berti’
When we think of the Tarot de Marseille (TdM), France usually comes to mind. But the game of tarot was played throughout Europe, with locally printed decks that had their own unique touches. Giordano Berti has recently produced facsimiles of two German Tarot de Marseille decks. The Tarocchi Miller is a Besançon-style deck where the Pope and Papesse are replaced with Jupiter and Juno. Read more
Another historically important Piedmontese deck produced by Giordano Berti just arrived in my mailbox. Like Berti’s other productions, this deck is housed in a sturdy handmade box lined with felt and covered with marbled paper. The cards are protected by a sparkling gold bag and are accompanied by a booklet with detailed historical background. Read more
The Tarocchino Bolognese engraved by Giuseppe Mitelli is a unique treasure. Just as the Visconti-Sforza deck was a luxury item commissioned by an aristocrat from a prominent artist in Cremona, this exceptionally beautiful deck was commissioned around 1660 by Count Bentivoglio of Bologna from a prolific Bolognese artist. Read more
A collector recently discovered a trove of uncut sheets of tarot and playing cards that have been sitting in Turin’s archives of since the mid-19th century. Giordano Berti has given new life to one of these forgotten decks by transforming the black and white uncut sheets into the beautifully colored Tarocchi Orientali.
The deck was created by Claudio Foudraz, a lithographer working in Turin in the mid-19th century. As an all-purpose lithographer he printed business cards, invitations, ads and art prints. Foudraz’s tarot deck was useless for game playing because of mistakes in the numbering, which the current edition corrects, so it probably never reached the market. Read more
Giordano Berti, who brought us the historically important Vergnano and Sola Busca decks, has done it again, producing a small print run of a virtually unknown deck. The Tarocchi Perrin, originally printed in Turin, is a delightfully unique deck that’s heavily influenced by Dellarocca’s soprafino design. Read more
Piedmont-style tarot has been on my mind lately, with decks and information popping up unexpectedly. Toward the bottom I’ve listed links to the six blog posts I’ve done so far on Piemontese decks.
I recently saw one of Lo Scarabeo’s reprints of Guala’s 1860 deck for sale online. I was tempted to round out my Piedmont collection, but it was the version with card names in four languages on a wide border at the bottom of each card. This ruined it for me. Since the deck was over-priced, I think the seller was mistaking it for one of the better versions without the extra border. Read more
Giordano Berti, creator of a facsimile 15th-century Sola Busca deck, has made another treasure available to collectors — a very beautiful 19th-century Piedmont-style deck.
The Piedmont region of Italy has a vigorous, centuries-long tradition of tarot deck production. Its unique spin on the Tarot de Marseille is documented back to the late 18th century. In 1832, card maker Stefano Vergnano of Turin was honored by the Chamber of Commerce for the quality of his playing cards. Berti’s deck re-creates a Vergnano tarot deck printed at that time. Read more
Deck collectors have three versions of the fifteenth-century Sola Busca deck to choose from: decks published by Lo Scarabeo, Il Meneghello, and Wolfgang Mayer. My hands-down favorite is the Mayer deck, currently sold by Giordano Berti, so I’ll describe it first, then compare it to the others. Read more