Here’s a deck that not only looks like the fifteenth century, but feels like the fifteenth century: I Tarocchi Rosenwald restored by Marco Benedetti, with hand-folded paper borders (Bordi Rivoltinati). Benedetti glues backing paper to each card, clips the corners then folds the borders to the front using traditional checkered paper. Every Italian playing card was made with this labor-intensive technique from the fifteenth century to the 1930s.
There’s something compelling about the Rosenwald deck. It’s enough like the Tarot de Marseille to feel comfortable; yet its quirky details give it a slightly exotic tone. For a transcendent experience, hold Benedetti’s gold and silver Rosenwald cards in your hands. Read more
I just did my first reading with my new Rosenwald deck. This deck reads like a dream. The fluid lines bring the images to life, and the pips are enough like the TdM so little adjustment is required.
Since my question was “should I or shouldn’t I” do something, I used the Cross Spread. (There’s a link below to a blog post I did a few years ago on the details of this spread). Read more
Sullivan Hismans, at Tarot Sheet Revival, has worked tarot magic again by creating an actual deck from sheets of tarot cards printed @1500 and housed in the Rosenwald collection of the National Gallery of Art in Washington D.C. Read more