My 1983 Vandenborre deck by Carta Mundi has been sitting unused on a shelf for a few decades. After falling in love with Pablo Robledo’s recent production of the deck, and discovering a third version on the market at the GameofHope website, I went on a buying spree then sat down to compare the decks. All three decks faithfully recreate the lines on the original cards, but none is a photo facsimile. The stains and tax stamps have been eliminated, making each deck pristine. (There’s a link at the bottom where you can see the original cards in the British Museum.) Here’s a run-down of how the decks compare. Read more
I am very excited about this fresh new version of the 1762 Vandenborre deck published this month by the Argentinian tarot maker Pablo Robledo.
This Brussels-Rouen pattern deck is first cousin to the Tarot de Marseille. Some of its unique imagery may stem from a lost tradition that migrated from Ferrara to France and Belgium. Its most notable feature is the substitution of the Spanish Captain and Bacchus for the Papesse and Pope. Read a lot more information about this deck and the Captain in another blog article here. Read more
Question: Who is the Spanish Captain, and what’s he doing in a tarot deck?
The Short Answer: He’s a character from the Commedia dell’Arte who substitutes for the Papesse in a type of 18th-century Belgian deck.
The Long Answer: Read the rest of the article.
What is Commedia dell’Arte?
It’s a type of popular theater with roots in the classical world. It flourished in Renaissance Italy and spread throughout Europe, especially France, in the 14th through 18th centuries. An array of standard characters appeared in every play like Harlequin, Pantalone, and Pulcinella, who was the prototype for Punch and Pierrot. The audience instantly recognized these characters by their masks, their walk, costume and regional accent, as well as characteristic slapstick routines, stage business, gestures, jokes, and favorite curse words. Read more