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Posts from the ‘Tarot’ Category

Arcana: The Tarot Poetry Anthology

The poems in this important anthology take us on a ride from black jack tables to the Last Supper. Many poems gently evoke the essence of a card, like lingering incense. Others delight us with new insights, like Tony Barnstone’s paired poems on the same card upright and reversed; or Amy Schrader’s poems on court cards. The Devil has been transformed by Lore Bernier (I am restrained by a lack of restraint) and Amanda Chiado (He was the kid who only ate the icing). On these pages we hear the voice of a rather smug Temperance angel, a tricksterish Fool and a foolish Fool, and Judas as the Hanged Man. Read more

The Spanish Captain in the Vandenborre Deck

Question: Who is the Spanish Captain, and what’s he doing in a tarot deck?

The Short Answer: He’s a character from the Commedia dell’Arte who substitutes for the Papesse in a type of 18th-century Belgian deck.

The Long Answer: Read the rest of the article.

What is Commedia dell’Arte?

It’s a type of popular theater with roots in the classical world. It flourished in Renaissance Italy and spread throughout Europe, especially France, in the 14th through 18th centuries. An array of standard characters appeared in every play like Harlequin, Pantalone, and Pulcinella, who was the prototype for Punch and Pierrot. The audience instantly recognized these characters by their masks, their walk, costume and regional accent, as well as characteristic slapstick routines, stage business, gestures, jokes, and favorite curse words. Read more

52 Plus Joker: A Card Collector’s Club

I’ve just discovered an association for aficionados of antique and collectible playing cards called 52 Plus Joker – The American Playing Card Collector’s Club. (How about a tarot club called 21 Plus Fool?) Their beautifully illustrated quarterly magazine, Clear the Decks has plenty to keep a tarot historian happy. I’m very impressed with the level of scholarship in their articles – this isn’t just a hobbyist magazine. Read more

Tarot: Haiku and Haibun

Tarot was the last thing I expected to see in the latest issue of Frogpond, the journal of the Haiku Society of America.

If you’d like to write haiku but feel constrained by its extreme compression, try haibun. Haibun consists of a few sentences or short paragraphs of prose with a haiku inserted somewhere. The haiku resonates with the prose but isn’t a literal illustration.

Here’s a tarot haibun by Alexis Rotella. Read more

Tarocchi Visconti di Modrone (Cary-Yale) from Il Meneghello

Osvaldo Menegazzi, the artistic genius behind Il Meneghello, has once again created a beautiful facsimile of an historic tarot deck. This deck, commissioned by the Duke of Milan, Filippo Maria Visconti, in the 1440s, is one of the oldest Italian tarocchi decks we know of. The cards were hand-painted on an embossed gold background, much like the Visconti-Sforza deck commissioned by Filippo’s son-in-law, Francesco Sforza, a decade later. Read more

Three-Dimensional Tarot Spreads

A comment on facebook inspired me to search for “playing card holders for the disabled”. The results gave me numerous alternatives to laying a spread flat on the table.

In the top photo, the Ancient Italian spread on the left sits on a flat board set at an angle with four grooves to hold cards. The Pierre Madenié cross spread is set up using two card holders with three grooves each.

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Madenié Meets Mother Goose

The Pierre Madenié deck (1709) and The Tales of Mother Goose (1696) emerged from the same cultural milieu at nearly the same time. A small archive of letters has recently come to light showing that Cinderella, Bluebeard and their friends frequented a fortuneteller who read cards with the Madenié deck. Here’s the transcript of a reading that was delivered by post to a rather cautious prince.

The Question: While on a hunting trip, I discovered an ancient, crumbling castle in a forest at the edge of my father’s kingdom. It was so overgrown with brambles and brush I couldn’t get near it. Some villagers said the castle is haunted by ghosts. Others told me that witches hold coven meetings in the grand ballroom on the full moon. Then there were stories about ogres who drag children into the castle to eat them. Read more

The Marseille Sophistiqué

These lovely cards are from the most antique-looking new deck in my collection.

The graphic novel artists who created the Marseille Sophistiqué followed the Conver Tarot de Marseille pattern very closely. They’ve taken great pains to make it look like an antique woodblock deck from the 1700s, giving us a standard TdM with just enough personality to make it unique, without destroying its charming, old-world character. Read more

From my Bookshelf: Divination and Oracles edited by Loewe and Blacker

Cards or entrails — which do you prefer for divination? From what I’ve read in this book, it seems we modern tarot readers have a lot in common with Mesopotamian entrail diviners.

The book is a compendium of scholarly but readable articles on divination techniques in various ancient cultures. I went straight to the chapter on Babylon, as I’m fascinated with ancient Mesopotamia, the oldest literate culture on earth, and the bedrock of Western civilization.

Divination in Mesopotamia

Mesopotamians believed the gods spoke to them through natural omens like bird song, or omens conjured up artificially, such as casting lots. It seemed perfectly logical to them that if you sacrifice an animal in honor of a god, the god will speak through the configuration of the internal organs. If you don’t like the fate decreed by the god (or the guts), you can always remedy it with incantations and ritual. This is just like prescribing spells and affirmations when you get a negative outcome card in a reading.

Reading sheep entrails was by far the most popular form of divination for 3,000 years until astrology took over about 600 BC. The Mesopotamian term for a professional diviner was literally “one who stretches his hand into the sacrificial animal.” Yuck!! Ordinary people who couldn’t spare a sheep used a popular folk divination technique that’s a lot like tea leaf reading. They sprinkled flour in a bowl of water and read the patterns. Read more

Was Etteilla Influenced by Piedmont Tarot?

Etteilla, tarot super-star of mid-1700s Paris, claimed he studied tarot from 1757 to 1765 at the urging of “an aged Piedmontese”. In his memoirs, a Parisian actor who was Etteilla’s contemporary, describes visiting Italian fortune tellers in Paris. It’s not a stretch to imagine Etteilla learning card reading from one of them.

If this elderly Piemontese teacher was in his 60s in 1757, then he was born a little before 1700. He may have learned to read tarot in his youth in the 1720s from a teacher who could have learned the cards around 1680. This would make Etteilla the bridge to a very old Italian card reading tradition. Read more