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Posts from the ‘Tarot Decks’ Category

Tarocchi Perrin 1865

Giordano Berti, who brought us the historically important Vergnano and Sola Busca decks, has done it again, producing a small print run of a virtually unknown deck. The Tarocchi Perrin, originally printed in Turin, is a delightfully unique deck that’s heavily influenced by Dellarocca’s soprafino design. Read more

Noblet vs. Noblet

Historic deck aficionados now have two versions of the legendary Noblet deck to enjoy. The only original in existence resides at the Bibliothèque Nationale in Paris. The late Jean-Claude Flornoy’s 2007 restoration of this deck with its clean, crisp lines and deep colors has become a popular reading deck. Now Joseph H. Peterson has just released a facsimile of the deck, allowing us to study the original imagery up close at our leisure. Read more

The Cartomancer Spring 2016 Edition

Congratulations to Jadzia and Jay DeForest, Bonnie Cehovet, and everyone else involved with this beautiful publication. The latest edition of the Cartomancer celebrates their first anniversary of publication.

Here are some highlights from this issue: Read more

The World in Play: 15th Century Playing Cards at The Cloisters

Luxurious playing cards from the 15th and early 16th centuries, including two tarocchi decks, are on exhibit at the Cloisters in New York City until April 17, 2016. This is a unique opportunity to see Visconti Sforza and Visconti (Carey Yale) cards side-by-side.  If you can’t make it to New York, you have alternatives for seeing these cards. Read more

A Jumbo Tarot de Marseille

I’ve been wanting an oversized Tarot de Marseille for a long time but wasn’t sure one even existed. When someone on Facebook posted a link to such a deck on Amazon, I clicked the “buy now” button sight-unseen.

When the deck arrived, I was delighted to discover it’s a facsimile of a 1760 Conver deck originally printed in Marseille and reproduced by Bounty Books. Read more

The Cartomancer Winter 2015

The third issue of The Cartomancer just landed in my inbox, and it’s a beauty.

My favorite section contains luscious full-page layouts of decks. I love the black background that intensifies the colors and makes the cards sizzle. One deck caught my attention: the Tribal Secrets Tarot where the creator photographed belly dancers interpreting the cards in their own way.

Some of my favorite articles: Read more

The Reader’s Digest Capek Tarot de Marseille

I associate the Reader’s Digest with seeing copies in a basket in my grandparents’ bathroom. Tarot just doesn’t seem to be aligned with the Reader’s Digest’s market niche; so I was intrigued when I learned that a Tarot de Marseille published by Reader’s Digest was on Ebay. Since it was only $11, I decided to satisfy my curiosity.

I’m very pleased with the quality of the cards and book, a collaboration between Czech artist Jindra Capek and writer Vlasta Duskova. The twenty-two cards are set into a niche at the bottom of a sturdy box which holds a 110-page hard-bound book that’s extensively illustrated in color. Read more

The Spanish Captain in the Vandenborre Deck

Question: Who is the Spanish Captain, and what’s he doing in a tarot deck?

The Short Answer: He’s a character from the Commedia dell’Arte who substitutes for the Papesse in a type of 18th-century Belgian deck.

The Long Answer: Read the rest of the article.

What is Commedia dell’Arte?

It’s a type of popular theater with roots in the classical world. It flourished in Renaissance Italy and spread throughout Europe, especially France, in the 14th through 18th centuries. An array of standard characters appeared in every play like Harlequin, Pantalone, and Pulcinella, who was the prototype for Punch and Pierrot. The audience instantly recognized these characters by their masks, their walk, costume and regional accent, as well as characteristic slapstick routines, stage business, gestures, jokes, and favorite curse words. Read more

The Three Soprafinos

Tarocchino Lombardo, the long out-of-print soprafino deck published by Il Solleone, fell into my hands recently. This gave me an opportunity to compare it with soprafino facsimiles by Lo Scarabeo and Il Meneghello. The the cards in the illustrations from left to right are: Lo Scarabeo, Il Solleone, Il Meneghello.

If you need a refresher on this deck style, here’s a page with everything you need to know.

The short version: About 1835, the printing house of Gumppenberg in Milan hired the artist Carlo Della Rocca to create an exquisitely beautiful engraved tarocchi deck. Since then, many of the deck’s unique design elements have been used in other decks printed in Lombardy and Piedmont. Read more

52 Plus Joker: A Card Collector’s Club

I’ve just discovered an association for aficionados of antique and collectible playing cards called 52 Plus Joker – The American Playing Card Collector’s Club. (How about a tarot club called 21 Plus Fool?) Their beautifully illustrated quarterly magazine, Clear the Decks has plenty to keep a tarot historian happy. I’m very impressed with the level of scholarship in their articles – this isn’t just a hobbyist magazine. Read more