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Posts from the ‘Tarot Decks’ Category

Aug 20

Cartomancer magazine Autumn 2015 cover

The Cartomancer Autumn 2015 Issue

The second issue of this beautiful quarterly magazine just arrived in my mail box. I thoroughly reviewed the initial issue here, so this time I’ll just run down my favorite articles.

The feature article is an interview with Karen Mahony and Alex Ukolov, the owners of Baba Studio in Prague and the creators of The Alice Tarot (the cover illustration above). I was amazed at how much time and care went into the deck. The cards are not photoshopped collage. Mahony and Ukolov gathered costumes and props and went out on location to photograph each card. Their Tarot de Marseille is scheduled for 2016. I can’t wait. Read more

Aug 7

Tarocchi Serravalle
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Avondo Brothers Addendum

I got very excited when I saw this deck (I Tarocchi Serravalle, published by Avondo) in the Belgian Tarot Museum’s video on Facebook. I thought Avondo might still be in business and printing contemporary Piemontese decks.

But I found the deck on Italian eBay and discovered it’s a trumps-only version of the deck sold by Lo Scarabeo as the Ancient Italian Tarot. It’s called a mini deck, but no dimensions were given. I’ve learned that in other languages “mini” often means 22 cards rather than small in size. I’ve seen it listed for sale on other Italian websites, but have never seen the publisher listed. Read more

Jul 30

Tarocchi Carey-Yale deck
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Tarocchi Visconti di Modrone (Cary-Yale) from Il Meneghello

Osvaldo Menegazzi, the artistic genius behind Il Meneghello, has once again created a beautiful facsimile of an historic tarot deck. This deck, commissioned by the Duke of Milan, Filippo Maria Visconti, in the 1440s, is one of the oldest Italian tarocchi decks we know of. The cards were hand-painted on an embossed gold background, much like the Visconti-Sforza deck commissioned by Filippo’s son-in-law, Francesco Sforza, a decade later. Read more

Jul 24

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Three-Dimensional Tarot Spreads

A comment on facebook inspired me to search for “playing card holders for the disabled”. The results gave me numerous alternatives to laying a spread flat on the table.

In the top photo, the Ancient Italian spread on the left sits on a flat board set at an angle with four grooves to hold cards. The Pierre Madenié cross spread is set up using two card holders with three grooves each.

Read more

Jul 2

Tarocchi Vergnano Fool and Ace of Cups

Piedmont Roundup

Piedmont-style tarot has been on my mind lately, with decks and information popping up unexpectedly. Toward the bottom I’ve listed links to the six blog posts I’ve done so far on Piemontese decks.

I recently saw one of Lo Scarabeo’s reprints of Guala’s 1860 deck for sale online. I was tempted to round out my Piedmont collection, but it was the version with card names in four languages on a wide border at the bottom of each card. This ruined it for me. Since the deck was over-priced, I think the seller was mistaking it for one of the better versions without the extra border. Read more

May 26

Tarot Sophistique three cards
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The Marseille Sophistiqué

These lovely cards are from the most antique-looking new deck in my collection.

The graphic novel artists who created the Marseille Sophistiqué followed the Conver Tarot de Marseille pattern very closely. They’ve taken great pains to make it look like an antique woodblock deck from the 1700s, giving us a standard TdM with just enough personality to make it unique, without destroying its charming, old-world character. Read more

Apr 28

Etteilla card 16 Opinion and Vergnano Judgment card
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Was Etteilla Influenced by Piedmont Tarot?

Etteilla, tarot super-star of mid-1700s Paris, claimed he studied tarot from 1757 to 1765 at the urging of “an aged Piedmontese”. In his memoirs, a Parisian actor who was Etteilla’s contemporary, describes visiting Italian fortune tellers in Paris. It’s not a stretch to imagine Etteilla learning card reading from one of them.

If this elderly Piemontese teacher was in his 60s in 1757, then he was born a little before 1700. He may have learned to read tarot in his youth in the 1720s from a teacher who could have learned the cards around 1680. This would make Etteilla the bridge to a very old Italian card reading tradition. Read more

Mar 3

Towards the Art of Reading by Camelia Elias book cover
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Marseille Tarot: Towards the Art of Reading by Camelia Elias

This exciting book by Camelia Elias is a new addition to our small supply of Tarot de Marseille books in English.

We hit the ground running on the first page with an actual reading done in a café. This sets the tone for the book, where every card, and every teaching, is accompanied by a three-card spread illustrated in color.

The essence of Elias’s technique is to tell a concise story with three cards, staying close to the reality of the images. When she amplifies her card meanings with another system, she goes to folk traditions in cartomancy, which she calls the “cunning folk” method. Read more

Feb 13

Tarocco PIemontese by Il Meneghello World card

Tarocco Piemontese XIX Secolo by Il Meneghello

I’m totally enchanted by Osvaldo Menegazzi’s latest production, a handcrafted facsimile of a Piedmont-style deck from the late 19th century. The deck was originally printed by Strambo in the town of Varallo on the Sesia River in eastern Piedmont.

The cards have a charming, folk art feel with deep, rich colors printed on smooth card stock that feels very nice to shuffle. At 2.5 x 4.5 inches (6.5 x 11.5 cm) they are a bit smaller than standard cards but not small enough to be called a mini deck.

The deck is housed in a very sturdy, handmade box covered with dark-brown marbled paper. A Fool card is pasted on the cover and finished with red sealing wax. Inside, there’s a folded paper with standard Il Meneghello divinatory meanings. In addition, there’s a very brief discussion of the Piemontese style in English and Italian, and a title card with a handwritten number. Read more

Feb 11

Tarocchi Vergnano Fool and Ace of Cups
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Tarocchi Vergnano: An Historic Tarot from Piedmont

Giordano Berti, creator of a facsimile 15th-century Sola Busca deck, has made another treasure available to collectors — a very beautiful 19th-century Piedmont-style deck.

The Piedmont region of Italy has a vigorous, centuries-long tradition of tarot deck production. Its unique spin on the Tarot de Marseille is documented back to the late 18th century. In 1832, card maker Stefano Vergnano of Turin was honored by the Chamber of Commerce for the quality of his playing cards. Berti’s deck re-creates a Vergnano tarot deck printed at that time. Read more

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